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Using art to promote social cohesion in Mali

Leather workers of Bachira Walet in Menaka, Mali. Photo: MINUSMA/Gema Cortes
By Gema Cortes

Taking a piece of leather in her hand, Bachira, a Tuareg artisan, starts weaving an ornament that will be sewed onto a new colourful tribal saddle cushion that may end up decorating a home somewhere.
Bachira is an accomplished leather worker. She is among 360 artisans in Mali sponsored by the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA) to promote social cohesion and dialogue through traditional art.

“When I returned home from exile, the only personal belongings I brought were my knowledge and my hands. This project is helping me to make the most of what I have. It ensures I can cover my family essential needs. I want them to have a better life than mine,” she said.

Women artisans working with leather in Menaka, Mali. Photo: MINUSMA/Gema Cortes
Women artisans sewing leather in Menaka, Mali. Photo: MINUSMA/Gema Cortes

Bachira Walet Mohamed, a 50-year-old mother-of-eight is from a village close to Menaka, in the far north-east of Mali. She fled her home with her family during the humanitarian crisis following the 2012 conflict. The whole family lived one year in exile in Niger, before returning in 2014.

Only last year did Bachira fully retake her tribal leather work. Thanks to “The House of Artisans’, a regional crafters association, rebuilt and equipped using MINUSMA support. “During those difficult years of violence shaking our town, the workshop was vandalized and as a result it closed down. I didn’t have anything, not even to buy food,” she recalled.

Women artisans in Menaka, Mali. Photo: MINUSMA/Gema Cortes

Art to foster dialogue and tolerance

MINUSMA saw the potential to promote peace and dialogue through traditional arts and crafts, thus the idea to restore “The House of Artisans” to its glory, through a Quick Impact Project (QIP). The Menaka ‘House of Artisans” was completely rebuilt and equipped with furniture, machines and tools for artisans working in jewelry, welding, leatherwork, forging metal, carpentry, sewing and wood carving.

The project, under USD$45,000, gave back an economic activity to up to 360 artisans from different ethnics’ groups It even improved the operating environment and enhanced their production and distribution capacities through training.

Tailor in his workshop at the House of Artisans in Menaka, Mali. Photo: MINUSMA/Gema Cortes

House of Artisans, Menaka, Mali. Photo: MINUSMA/Gema Cortes

MINUSMA’s QIP objective is to contribute to the socioeconomic development by improving the income of artisans across the Menaka region, which is experiencing increasing insecurity as a result of attacks by terrorist groups and armed bandits.

According to Adass Ag Abdoul Karim, President of the Union of Artisans and coordinator of the project, art can break barriers and promote tolerance because “the objective to create a space for dialogue, tolerance and peace through art,” he said. “Thereby, reducing unemployment and improving family income of the artisans.”

Metalsmith (left) pictured with Adas Ag Abdoul Karim (right), President of Union of Artisans in Menaka, Mali. Photo: MINUSMA/Gema Cortes

Tuareg silversmith in Menaka, Mali. Photo: MINUSMA/Gema Cortes

Adass is grateful for MINUSMA’s continuous support to his community and for helping rebuild the confidence in Mali’s well-known craftsmanship. Nevertheless, he underlines the need for young people to be trained, in order to safeguard the ancient traditions of Malian artistry. By doing so, one is both promoting the quality and marketing skills of artisans, particularly those of women and the creation of employment. All leading to peace and stability.

Since 2013, MINUSMA sponsored more than 740 QIPs projects in Mali totalling USD$24 million benefitting over 10 million people. These projects contributed to strengthening social cohesion and security, improving access to basic health care and water, fostering training and education, promoting the use of agro-pastoral resources, creating temporary and long-term employment and supporting cultural heritage.

Adas Ag Abdoul Karim (right), President of Union of Artisans in Menaka, Mali. Photo: MINUSMA/Gema Cortes

Shop inside of the House of Artisans in Menaka, Mali. Photo: MINUSMA/Gema Cortes

Providing a crucial lifeline for struggling artisans

While the temperature is reaching its peak in the sandy streets of Menaka, under e blazing sun, several Tuareg jewelers toil away inside the House of Artisans. Most of them are hand-engraving silver pieces homemade tools. This shows how little has changed in the traditional Tuareg jewelry making process.

Alhader Ag Tital is fifty-one-year-old. He is Tuareg, very quiet and a silversmith. He learnt the trade from his grand-parents and parents, becoming a master himself. His quietness ends up when he talks about his participation in this project. “I am very, very, very happy. It’s the first time we have a proper space for working. We now have a safe and operational place, and we are so grateful.”

Alhader Ag Tital (right), silversmith in Menaka, Mali. Photo: MINUSMA/Gema Cortes

Work-in-progress of Alhader Ag Tital, silversmith in Menaka, Mali. Photo: MINUSMA/Gema Cortes

Despite being the most dangerous active peacekeeping deployment in the world, with so far 158 blue helmets killed by hostiles forces, and dozens more killed by accidents and illness since its creation in 2013, MINUSMA remains committed to help rebuild sustainable peace in this landlocked north-west African nation. This project proves peace and dialogue can be achieve through numerous actions, involving all groups and different communities, and, at the same time promoting livelihoods and empowerment.

UN police patrols in Menaka, Mali. Photo: MINUSMA/Gema Cortes

UN police patrols in Menaka, Mali. Photo: MINUSMA/Gema Cortes

The author is a Communications Specialist and Chief of Multimedia at the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA).

UN News 5 July 2021

 

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